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read what I have to say and see if any of it applies to them in their respective lives. I think I have my parents above all to thank for whatever recognition I have earned. It is their constant encouragement and undying support that has seen this book through.
I wouldn’t say that I hunger for more; but then again I have always loved the limelight and, even though I do have a few friends who are models and hate the attention they receive in public, I am quite happy to sign a few autographs or pose for snaps as and when asked to. I guess it’s all too new for me so I’m just lapping it up. I’ll probably value my privacy more if and when I end up becoming famous. (Grins) But let’s see...
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Your concept of Forever Mode is a bit confusing. Could you explain it a little more?
Okay, before I say anything regarding Forever Mode I think it would be necessary to summarize briefly my views on religion.
I do not believe in God in the traditional sense. That includes idol worship, prayers in a place of worship, and so on. My belief in God stems from within – within my cranium to be more precise. My logic is simple. At the end of the day, what really constitutes a God? Some entity that governs our actions and directs us to do what is right and wrong. Some being that guides us, talks to us, helps us when we are scared, and cares for us. For me, my mind does all that. And so, simply put, my mind is my God.
The mind is the only known example of infinity within a confined space. Forever Mode tries to
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integrate this and maximize the potential of the human brain. The universe is infinite, and in a way, we too have a universe of our own within each of our respective minds – an imaginative universe.
The Theory of Forever Mode contains some mathematical jargon which should not be taken in the literal sense. All it is trying to explain, with some fiction thrown in, is that the answers to all problems lie within us (This is evident from the example I have provided). We have to probe and search to come up with the right solutions. If tweaked in the right manner, the mind can open up some extremely exciting possibilities. Forever mode basically means being in a form of eternity or infinity. It screams Adidas’ theory – Impossible is nothing.
German and Latin words recur in your poems. Don’t you think it might hinder a smooth interpretation of your poems by the reader until he turns to the annotations page?
I would prefer it if there wasn’t a smooth interpretation of my poems. I want there to be some obstacles. I want readers to be able to try and understand the reason behind inserting certain phrases in different languages. Each language has been chosen carefully in order to bring out the essence of what the words are trying to convey. For example, in my dedication I have written the line – Hier bin ich, schlieβlich which, in German, means Here I am, finally. According to me, this would have sounded rather plain if written in English; but the use of a foreign language appeals differently. It adds a strange beauty to the sentence. And besides, if everything is easily understood it sort of spoils the fun, doesn’t it?
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I loved ‘Blueberry in the Wild’, and ‘The Lovebug’ for its volatile rhythm. Tell us something about the thought behind these poems?
Blueberry in the Wild was written within a span of twenty-four minutes and forty-two seconds while I was shivering in sub-zero temperatures outside my dormitory door in boarding school. I’d just being caught indulging in table-tapping (we unsuccessfully tried calling Hitler) with my friends and had been reported to our cottage warden who asked us to wait out in the dead of winter while he decided how to deal with us. I was feeling rather depressed thinking about how he was going to whip us and it was in the midst of all the gloom that I decided to write Blueberry in the Wild.
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I have to say here that I am very fond of blueberries. And Blueberry in the Wild, simply put, describes something beautiful and wonderful lost somewhere, which I am trying to reach out to. The path is difficult; but I keep trying because the feeling of hope is always prevalent. A similar theme underlines The Lovebug, where I mention – I look for the glowing light. Once again I am reaching out for something hard to find, with the hope that someday I shall stumble upon it. The translation of the German phrase I have written for The Lovebug explains it all.
Tell me something about ‘Verve’ and ‘L’engèni’. Who is this little man you referred to in the latter? Is he real?
Verve, in the literal sense, means spirit or energy. The poem portrays an insight into the mind of a sleeping man and the chaotic fusion of dreams he has. Each part of the poem shows him bringing up old memories that express different emotions.
L'engèni was a dream that I actually had. It symbolizes the struggle of a man against his worst fears – in this case Death. The little man represents each and every individual in this world. He is very much real. I think every person is, at some point in his or her life, in place of the little man. And I don’t mean just against death. It could be any fear, problem or disease. L'engèni depicts a little man on the verge of dying, and it is his resolve to live that empowers him to become immune even against Death.
Once again – Adidas’ theory!
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Does the absence of a real Bunbury depress you at times?
There is no absence of a real Bunbury. Bunbury does exist if only in a virtual sense. It is my path to freedom from a dull and chaotic real world. Bunbury can be called my version of an inner space where I can perceive the world exactly the way I choose to. In Bunbury, I can fly to Pluto while eating a chocolate-filled doughnut. It allows a free rein for imagination. Hence, there is no room for depression. You can actually distinguish which world I’m in at any given time – if I’m in a horrendous mood I’m by and large rotting in this world; but if I’m in a brilliant mood, I’m probably enjoying myself eating bowls of melon ice-cream and grape jelly in Bunbury!
Bunbury is my world of dreams where I reign supreme. My will be done. (Smirks)
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Where do you see yourself ten years from now?
Well, maybe as an MBA graduate who has just earned his first million bucks. Or perhaps as the youngest writer to win a Nobel Prize for Literature. (Laughs) I just hope that I’m successful in whatever I choose to do, and also that whatever I do benefits society and me as a person. I would really like to take an active part in promoting world peace though. I despise war.
Do you watch films? Which is your all-time favourite movie?
I love watching movies. I usually stick to comedy; but I don’t really have issues that way. I don’t have one particular favourite movie; but I really like – Pulp Fiction, Requiem for a Dream, Lemony Snicketts – A Series of Unfortunate Events, School of Rock, Big Fish, Edward Scissorhands, The Tears of Julian Po, Powder, and so on.
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I know that you’ve been greatly inspired by Joyce, Eliot and Hardy. Tell us something about the contemporary poets you’ve enjoyed reading.
I haven’t read a lot of contemporary poetry; but I have read a bit of Vikram Seth. I’ve been very much influenced by earlier poets to have really looked at some of the present day ones; but I hope to pick up some more of his books. I habitually worship my copy of The Wasteland in the morning and raise a toast to T.S. Eliot in the evening.
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What would you say to motivate the young talents who are still dying to see themselves published?
Well, I would say that it is very important for any budding poet to develop a unique style of writing. Something like a trademark. People should be able to sniff your work a mile off. I am huge fan of T.S. Eliot; but I try very hard not to let my style become an extension of his. Another thing I’d say is, never think about writing with the intention of publishing your work because then what happens is that you write to impress and that ruins the natural flow of thought. All you’ll end up doing is writing what you think will look good and not what is good.
Believe in yourself and back your abilities to the fullest. A publisher is your ticket to making your work available for readership on a large scale; but at the end of the day they have to make money. They will only publish your work if they think what you’ve written is good enough to sell. I shouldn’t be saying this or I’ll land up in huge trouble with my own publishers. (Laughs) But hey, if your work gets rejected the first time don’t be disappointed. You will definitely find a good publisher at the most opportune moment.
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Your words on Rhyme or Reason –
I think it’s a fantastic concept. It’s the ideal launch pad for new poets who are looking to make an impression. I think there is a lot of talent out there that needs the kind of exposure that Rhyme or Reason can provide.
Interviewed by Devapriya Banerjee
Designed by Subhadip Mukherjee
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